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‘No Good Men’ Review: Unexpected Berlinale Opener Finds Love in a Hopeless Patriarchy

February 12, 2026 at 07:15 PM
By Guy Lodge
‘No Good Men’ Review: Unexpected Berlinale Opener Finds Love in a Hopeless Patriarchy

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The opening credits of “No Good Men” play out over a profuse montage of cactus flowers blooming in rapid time-lapse abundance, their pastel petals billowing brightly over the plant’s thorny armor — set to an earwormy Pashtun-pop banger by Pakistani singer Nazia Iqbal. Rife with symbolic implications of beauty enduring against arid odds, the sequence […]

Analysis & Context

The opening credits of “No Good Men” play out over a profuse montage of cactus flowers blooming in rapid time-lapse abundance, their pastel petals billowing brightly over the plant’s thorny armor — set to an earwormy Pashtun-pop banger by Pakistani singer Nazia Iqbal. Rife with symbolic implications of beauty enduring against arid odds, the sequence […] This article provides comprehensive coverage and analysis of current events.

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The opening credits of “No Good Men” play out over a profuse montage of cactus flowers blooming in rapid time-lapse abundance, their pastel petals billowing brightly over the plant’s thorny armor — set to an earwormy Pashtun-pop banger by Pakistani singer Nazia Iqbal. Rife with symbolic implications of beauty enduring against arid odds, the sequence […]

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