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Box Office Preview: Pixar’s ‘Hoppers’ to Bound Past Maggie Gyllenhaal’s ‘The Bride!’

March 5, 2026 at 05:47 AM
By Pamela McClintock
'Hoppers' could mark the biggest opening in a decade for an original Pixar title. Conversely, Gyllenhaal's foray into Frankenstein territory isn't going over so great with critics.

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'Hoppers' could mark the biggest opening in a decade for an original Pixar title 'Hoppers' could mark the biggest opening in a decade for an original Pixar title. Conversely, Gyllenhaal's foray into Frankenstein territory isn't goi Monitor developments in Box for further updates.

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'Hoppers' could mark the biggest opening in a decade for an original Pixar title Conversely, Gyllenh

'Hoppers' could mark the biggest opening in a decade for an original Pixar title. Conversely, Gyllenhaal's foray into Frankenstein territory isn't going over so great with critics. 'Hoppers' and 'The Bride!' Disney; Warner Bros. Pictures Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment In a much-needed win for Pixar’s core mission to provide original storytelling, Hoppers is positioned to deliver the iconic animated studio its biggest opening in nearly a decade for a non-franchise title. Conversely, Maggie Gyllenhaal’s new film, inspired by the 1935 film The Bride of Frankenstein, is in danger of being jilted at the altar. Disney is forecasting a global debut of $88 million for Hoppers. The last time a Pixar original did so well was Coco in 2017. In North America, tracking suggests it could open anywhere from $36 million to $40 million, with room for upside. It’s also expected to come in leaps and bounds ahead of Gyllenhaal’s The Bride!, which Warner Bros. believes will open in the $16 million to $18 million range domestically and roughly $38 million-plus globally, although decidedly mixed reviews could ding the $80 million film. (It goes without saying that the two movies couldn’t be more different.) Related Stories Movies Maggie Gyllenhaal on How She Crafted Jessie Buckley and Christian Bale's Looks in 'The Bride!' Movies 'The Bride!' Review: Jessie Buckley and Christian Bale Get Their Freak on in Maggie Gyllenhaal's Bludgeoning Feminist Frankenstein Spin Hoppers has the advantage of hitting theaters in the wake of Disney Animation’s mega-blockbuster Zootopia 2, which provided further evidence that there’s still a huge appetite for family fare in the post-pandemic era if a film resonates with moviegoers. Pixar’s movies were also once famous for attracting adults without kids; Hoppers is earning the kind of rave reviews from critics that could see those fans return (Zootopia 2, which has earned north of $1.86 billion globally to rank as the top-grossing Hollywood animated pic of all time, also attracted general audiences). As of late Wednesday, Hoppers‘ critics score on Rotten Tomatoes was 97 percent, one of the highest in years for Pixar. Audience reactions from early access screenings have been similar, with moviegoers also applauding the film’s creativity and humor. In the comedy-adventure, animal lover Mabel (Piper Curda) seizes an opportunity to use a new technology to “hop” her consciousness into a life-like robotic beaver and communicate directly with animals. As she uncovers mysteries beyond anything she could have imagined, Mabel befriends a charismatic beaver named King George (Bobby Moynihan), and must rally the entire animal kingdom to face a major, imminent human-threat: smooth-talking local mayor Jerry Generazzo (Hamm). The ensemble voice cast also features Kathy Najimy, Dave Franco, Meryl Streep, Eduardo Franco, Aparna Nancherla, Tom Law, Sam Richardson, Melissa Villaseñor, Isiah Whitlock Jr., Steve Purcell, Ego Nwodim, Nichole Sakura, Karen Huie and Vanessa Bayer. Hoppers is directed by Daniel Chong, with Nicole Paradis Grindle producing and Mark Mothersbaugh providing the original score. The pic will play across 4,000 theaters in North America, including 400-plus Imax screens, 1,000 premium large-format screens and more than 2,200 3D screens. Overseas, it opens in 81 percent of markets, with staggered releases planned for Japan (March 13), China (March 20) and Australia (March 26). While Pixar has good reason to be hopeful, no one is envying the position Warner Bros. and Gyllenhaal are in as The Bride! prepares to walk down the aisle. The R-rated, gothic romance made headlines on Wednesday, both for earning tepid reviews and for comments Gylleenhal made on a podcast saying she was asked by Warners movie studio chiefs Pamela Abdy and Michael De Luca to remove some of the film’s more violent scenes (she also gave a shout out to Abdy for “understanding me”). The Bride!, starring Jessie Buckley and Christian Bale, draws inspiration from the 1935 film The Bride of Frankenstein. The cast also includes Jake Gyllenhaal, Peter Sarsgaard, Penélope Cruz and Annette Bening. “In James Whale’s 1935 gothic horror masterpiece The Bride of Frankenstein, the title character played so indelibly by Elsa Lanchester screams and hisses but otherwise has no dialogue, and yet she has endured as an iconic movie-lore figure for almost a century,” writes THR‘s David Rooney in his review. “In Maggie Gyllenhaal’s aggressively punky reconsideration of the reanimated monster spouse, she becomes a laborious study guide for a Feminism 101 class, emphatically indicating points on sexual violence, consent, bodily autonomy and female power. She even yells ‘Me too!’ late in the film.” The Bride! marks Gyllenhaal’s second directorial out
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