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In August 2023, Don 3 was officially announced by Excel Entertainment, with Ranveer Singh unveiled as the new face of the iconic franchise. A slick announcement video followed, generating massive excitement. The action spectacle was slated to go on floors in 2026.However, some time ago, it came to light that Ranveer Singh had exited the project, triggering intense chatter within industry circles. Bollywood Hungama has now learned that the fallout has led to two closed-door meetings held under the aegis of the Producers Guild of India (GUILD), involving some of the most powerful names in the business.The first meeting took place nearly a week before the latest developments and was conducted under the banner of the Producers Guild of India. Senior producers, including Sajid Nadiadwala, were present. This initial discussion focused on understanding the circumstances surrounding Ranveer Singh’s exit and the broader implications for producers when a film collapses at an advanced pre-production stage.The matter escalated further on Saturday, February 7, when a second, more detailed meeting was held at Lands End, again under the aegis of the Producers Guild of India. Present at this meeting were Aamir Khan, Siddharth Roy Kapur, Ramesh Taurani and Kumar Taurani, among other key industry stakeholders. Farhan Akhtar and Ritesh Sidhwani represented Excel Entertainment and formally placed their concerns before the Guild members.A source told Bollywood Hungama, “From the outset, it was made clear that the intent was not to single out or blame any individual. The discussion revolved around a larger industry issue; what options a filmmaker has after investing substantial money in a film’s pre-production when the principal actor exits the project. The stakeholders also examined the issue from the actor’s point of view and deliberated on safeguards producers can put in place to prevent such situations in the future.”At the second meeting, Ranveer’s stance was presented first. A producer present at the meeting, speaking on condition of anonymity, revealed, “Ranveer blamed Excel Entertainment for unprofessionalism and not being serious about taking Don 3 on floors. He stated that Farhan Akhtar never had a bound script in place and that, as an actor, he prefers to work only with fully developed material.” The source added, “Ranveer also pointed out that Farhan was never open to feedback on the script and had issues incorporating certain subplots. He further alleged that Excel was exploring the possibility of getting Hrithik Roshan on board and only re-approached him after the success of Dhurandhar, to capitalise on his momentum.”According to Ranveer’s camp, the actor endured nearly three years of indecision, claiming that Farhan focused on multiple commitments, including his acting career, while Don 3 remained creatively underdeveloped. He reportedly felt that the script did not match the stature promised to him at the time of signing.Soon after, Farhan Akhtar and Ritesh Sidhwani presented their version of events. A source from the venue shared with Bollywood Hungama, “Farhan highlighted issues with Ranveer’s temperament and demands. Ranveer insisted on seven vanity vans, including two exclusively for his staff. He also wanted a DJ on set every day, who charged a hefty fee to play music of his choice.”The source further added, “Ranveer wanted Excel to bear the expenses of his extended staff of nearly 28 people throughout the shoot. These demands were made even before Dhurandhar released and escalated further after its historic success.” Farhan also reportedly presented documentation to counter claims about script dissatisfaction. “Farhan maintained that Ranveer never flagged any script issues. In fact, he was enthusiastic about portraying the third generation of Don after Amitabh Bachchan and Shah Rukh Khan. He claimed the script was shared at regular intervals and approved by Ranveer at every stage.”Excel Entertainment informed the Guild that Ranveer’s exit resulted in losses of approximately Rs. 40 crore, despite the producers agreeing to several of his demands. Farhan and Ritesh are now firm on seeking reimbursement and have urged producers’ bodies to frame resolutions against what they describe as unreasonable star demands.Ranveer Singh, on the other hand, is said to be deeply upset with how a potential franchise juggernaut like Don 3 was handled. According to his camp, the exit stemmed from creative dissatisfaction and concerns over larger on-set chaos had the project moved forward."It's a war between the two parties, as Farhan and Ritesh are adamant to get their losses reimbursed by Ritesh Sidhwani They have also urged the Guild to form a resolution against the unreasonable demands of Ranveer and other actors. Ranveer, on the other hand, is upset with how casually a potential cash cow like Don was treated by the stakeholders, and left the project due to the sheer incompetence of the banner to deal with a mega-film like Don 3. If there were issues even before it went on floors, he can't even think of the madness of unprofessionalism on sets from Excel. He left the film for his own sanity. If there were problems even before the film went on floors, he couldn’t imagine the level of unprofessionalism once shooting began. He chose his sanity over a compromised project,” a source summed up for Bollywood Hungama.Much more was said behind closed doors and tempers clearly ran high. For now, the industry is watching closely as the standoff between Ranveer Singh and Excel Entertainment threatens to intensify further in the days ahead.Also Read: Ranveer Singh enters ultra-luxury space with Rs. 11 lakh whisky; ABD Maestro unveils ‘The Collective’ 34-year-old single malt

Jon Stewart was a heat-seeking missile tonight on The Daily Show with a target set on MAGA’s “pathetic” meltdown over Bad Bunny’s Super Bowl halftime show performance. Beginning with the big game itself, he drew early laughs with: “Man, if you like high-scoring contests where the outcome is in doubt till the final suspenseful climactic […]

Jimmy Kimmel on Monday went after Donald Trump for his scathing review of Bad Bunny’s Super Bowl Halftime Show. “Bad Bunny got a bad review from our bad president, unfortunately,” Kimmel said during Monday’s broadcast of “Jimmy Kimmel Live!” “He wrote, ‘The Super Bowl halftime show is absolutely terrible, one of the worst ever. It […]
Paresh Rawal is one of the most versatile performers in Bollywood, excelling in roles across genres, be it comic, villainous or emotional. His comic timing is impeccable, as proved by his work in several comic capers, some of which are fondly remembered even today. One such film is Bhagam Bhag (2006) and moviegoers were excited to learn that Bhagam Bhag 2 is in the offing. Bollywood Hungama has learned of an exciting development – Paresh Rawal will be seen in a double role in this highly awaited flick.Bollywood Hungama exclusively spoke with Paresh Rawal. When asked if he has a double role in Bhagam Bhag 2, he replied, “Yes, I do.” He further said, “I am excited. Maza aayega. Dhamaal hoga!”This is not the first time that Paresh Rawal will play dual roles in a film. His portrayals of the uptight and disciplined Ram Gopal Bajaj and the buffoon antagonist Shyam Gopal Bajaj aka Teja in Andaz Apna Apna (1994) have achieved cult status. Then, in Oye Lucky Lucky Oye (2008), he played not double but triple roles of Jani Singh, Gogi Arora and Dr B D Handa. The other films of Paresh Rawal in which he had double roles were Platform (1993), Janam Kundli (1995) and Chor Machaye Shor (2002).Besides Paresh Rawal, Bhagam Bhag 2 also stars Akshay Kumar and Manoj Bajpayee. It marks the Hindi theatrical film debut of Meenakshi Chaudhary; her other Hindi film Upstarts (2019) was directly released on Netflix. While the original 2006 film was directed by Priyadarshan, Bhagam Bhag 2 will be helmed by Raaj Shaandilyaa of Dream Girl (2019) fame.Meanwhile, in 2026 and 2027, Paresh Rawal will be seen in multiple comic films. On April 10, he’ll appear in the horror comedy, Bhooth Bangla, while on June 26, his other highly awaited flick, Welcome To The Jungle, will be out. 2027 will see the release of Bhagam Bhag 2 and also Hera Pheri 3. Incidentally, all these films co-star Akshay Kumar.Also Read: Manoj Bajpayee replaces Govinda in Bhagam Bhag 2: Report

On this week’s episode of “The Daily Show,” Jon Stewart covered the conservative outrage over Bad Bunny’s Super Bowl Halftime Show. “Mr. Bunny killed it, despite being trapped in an inescapable sugarcane hedge maze,” Stewart joked. “He had Lady Gaga, Ricky Martin and The Mandalorian. He threw a wedding! He held a model U.N.! He […]
Filmmaker Karan Johar has opened up about a challenging experience early in his career, recalling how legendary choreographer Saroj Khan reacted to his involvement during the making of Dilwale Dulhania Le Jayenge (DDLJ). In a conversation with The Hollywood Reporter India, Johar described the encounter as frightening and emotionally taxing, even though he ultimately acknowledged Saroj Khan’s talent.Johar began his career in the film industry as a costume assistant on the 1995 romantic drama, working under Aditya Chopra and alongside designer Manish Malhotra. Years later, he reflected on the intensity he experienced on set, particularly during the filming of the song ‘Mehndi Laga Ke Rakhna.’“At that time, the costume dada was my biggest ally… Manish would come in the morning, hand over the clothes, and leave. I was the costume assistant, and Pam aunty was deeply involved in the process,” Johar recalled, referring to Pamela Chopra’s hands-on role with costumes.Trouble emerged when Saroj Khan requested additional red scarves for dancers mid-shoot. The team did not have enough fabric on hand, prompting Johar to suggest a workaround to Saroj’s assistant: “…it would look stylish if the dancers put one hand in their pocket and held the scarf in the other.”However, when Saroj Khan learned of the idea she was not receptive. Johar said she “lost it,” demanding red satin cloth immediately or threatening not to shoot. He later described the ordeal vividly: “She caught hold of me — literally pushed me — and said, ‘Go wherever you have to. Go to Goregaon, bring the red cloth, or I will not shoot.’ I remember running on the streets of Goregaon with the costume dada, desperately looking for red satin cloth. I was scared for my life. I was traumatised. She was terrifying.”Despite the fear he felt at the time, Johar balanced his account by acknowledging Saroj Khan’s skill and contribution to Indian cinema. “She was scary, but she was the best. She didn’t like me at all. She was just unhappy with me,” he said, underlining the creative intensity she brought to her work.Johar also shared a lighter memory from the same production involving his tendency to give unsolicited costume suggestions. During the filming of ‘Tujhe Dekha Toh Yeh Jaana Sanam,’ he playfully dressed the lead actors in dungarees — an idea Saroj Khan reacted to with surprise. “She looked at them and said, ‘‘Yeh baba baby banke kyun aaye hain?’’ I answered back… She’d be like, ‘Yeh kyun bolta rehta hai?’ because I was always giving my two cents,” he said with a laugh.Also Read: Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai