‘The Beauty’ Stars Anthony Ramos and Jeremy Pope React to Finale Cliffhanger: “We Didn’t Know Until the End”

The actors who are also executive producers talk to The Hollywood Reporter about being along for the Ryan Murphy series' ride: "Darker than anything I've been asked to play." 'The Beauty' stars Jeremy Pope and Anthony Ramos. FX Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Logo text [This story contains MAJOR spoilers from The Beauty season one finale, “Beautiful Betrayal”] For Anthony Ramos and Jeremy Pope, portraying their characters’ growing bond wasn’t much of a stretch. The two have been friends in real life for years, even attending college together at the American Musical and Dramatic Academy. Their dynamic in the FX series, however, takes an unexpected turn. The Assassin (Ramos) is initially ordered by Byron — aka The Corporation (Ashton Kutcher) — to kill Jeremy (Pope). But as the season progresses, the pair begin to connect over their shared loneliness. The Assassin opens up about taking “The Beauty” after being severely injured, a decision that forced him to leave his family behind. Jeremy, meanwhile, is a “damaged incel desperate to feel seen and loved,” Pope explains below. Related Stories TV 'The Beauty' Star Evan Peters Breaks Down That Painful Twist and Finale Cliffhanger TV 'Disinherited' Drama Starring Victoria Pedretti, Kiera Allen Snags FX and Hulu Series Order “What’s wild about watching [their relationship] is that, you know how you meet those people in your life where you feel like you’ve known them your whole life — you have that instant thing, right?” Kutcher tells The Hollywood Reporter. “Them having that and the influence it had on your character decisions — the way they masked it and then unveiled it — was a really pretty thing to watch.” In the season’s later episodes, Dr. Diana (Ari Graynor) reveals her plan to stop Byron from expanding access to “The Beauty.” After realizing Byron doesn’t truly have his back, The Assassin joins her effort. Cooper (Evan Peters) then contracts the drug and transforms into a young boy. And in the finale that released Wednesday night, Diana and Byron’s sons reveal there is a reverse drug, and Cooper agrees to try it. But whether it worked is still to be known, since the episode and the season ends after Jeremy, The Assassin and Jordan (Jessica Alexander) stare in shock at whatever is the result. Below, Ramos and Pope discuss the season finale cliffhanger and the biggest questions facing their characters in a potential season two. *** I’m aware that you two went to college together and have been friends for more than a decade. Did your friendship offscreen influence your unexpected friendship in the show? ANTHONY RAMOS Yes. It made it tough in the beginning, because we’re supposed to act like we don’t know each other. It was very hard to do that at the top, but it made it really easy once when we get deeper into the season, especially in episode seven. We have that scene in the hotel where we both have these moments opening up about our backstories, and you get to know our characters on a deeper level with the monologue that Jeremy gives when he’s sitting down and talking about his dad, and then I give him the monologue when I talk about my son. We get to unlock a new level of vulnerability between these two guys. Those scenes felt seamless, going from these guys who don’t know each other to getting vulnerable with one another because of how long we’ve known each other. And then there are the scenes where I’m singing to him in the car and we get to mess around. Then, the scene where we got the guy tied up and I’m hitting them and Jeremy’s there jamming out and we get to have that rapport while we’re also interrogating this guy — all of our relationship before made it a lot easier. Jeremy Pope as Jeremy, Anthony Ramos as The Assassin in The Beauty. Eric Liebowitz/FX JEREMY POPE It’s a dream to work with family in anything. The things that came up towards the end for me, because there was a foundation and nuance of knowing each other, as artists, as friends, as boys — we were able to shatter a little bit of toxic masculinity. There’s a dynamic at play. [Anthony’s] playing a 60-plus-year-old man. I’m playing this incel, insecure, damaged person that’s needing to be seen and loved. We can be hardened when it comes to men on men, and how much we’re willing to open up and share. But I think we were able to really excavate and bring a layer of transparency and comfortability, and we have that in real life because we’ve seen each other through different seasons of our life and actually showing up for each other in real moments off camera. So to have this moment where it is a lot of laughter and improv and singing and jokes, but then to lock into scenes that were about excava